Internet and New Media Studies Bibliography of Books
Compiled by Michele White
Additions and suggestions are appreciated.

Adam, Alison. Artificial Knowing. Gender and the Thinking Machine. London:
Routledge, 1998.

Amelunxen, Hubertus V., ed. Photography after Photography: Memory and
Representation in the Digital Age. Amsterdam: G+B Arts, 1996.

Apter, Emily S. Continental Drift: From National Characters to Virtual Subjects. Chicago:
University of Chicago Press, 1999.

Balsamo, Anne. Technologies of the Gendered Body. Reading Cyborg Women.
Durham, Duke University Press, 1996.

Bardini, Thierry. Bootstrapping: Douglas Engelbart, Coevolution, and the Origins of
Personal Computing. Stanford: Stanford University Press, 2000.

Baudrillard, Jean. Simulacra and Simulation, trans. Sheila Faria Glaser. Ann Arbor: The
University of Michigan Press, 1994.

Bell, David and Barbara M. Kennedy , eds. The Cybercultures Reader. New York:
Routledge, 2000.

Bender, Gretchen and Timothy Druckrey, eds. Culture on the Brink: Ideologies of
Technology. Seattle: Bay Press, 1994.

Benedikt, Michael, ed. Cyberspace: First Steps. Cambridge, MA: MIT Press, 1992.

Benjamin, Walter. lIluminations. New York, Harcourt, Brace & World, 1968.

Birringer, Johannes. Media & Performance Along the Border. Baltimore: John Hopkins
University Press, 1998.

Branscomb, Anne Wells. Who Owns Information? From Privacy to Public Access. New
York: Basic Books, 1994

Bolter, Jay David and Richard Grusin. Remediation: Understanding New Media.
Cambridge, MA: MIT Press, 1999.

Brooks, James and Iain A. Boal, eds. Resisting the Virtual Life: The Culture and Politics
of Information. San Francisco: City Lights, 1995.

Brundson, Charlotte, Julie D’Acci, and Lynn Spigel, eds. Feminist Television Criticism: A
Reader. Oxford: Clarendon Press, 1997.

Bucy , Erik P. , ed. Living in the Information Age: A New Media Reader. Belmont, CA:  
Wadsworth Thomson Learning, 2002.

Bukatman, Scott. Terminal Identity: The Virtual Subject in Post-Modern Science Fiction.
Durham: Duke University Press, 1993.

Campbell, John Edward. Getting It on Online: Cyberspace, Gay Male Sexuality, and
Embodied Identity. Binghamton, New York: Harrington Park Press, 2004.

Campbell-Kelly, Martin. From Airline Reservations to Sonic the Hedgehog: A History of
the Software Industry. Cambridge, MA: MIT Press, 2003.

Cartwright, Lisa. Screening the Body: Tracing Medicine’s Visual Culture. Minneapolis
and London: University of Minnesota Press, 1995.

Cherny, Lynn and Elizabeth Reba Weise, eds. Wired Women: Gender and New
Realities in Cyberspace. Seattle: Seal Press, 1996.

Clough, Patricia Ticineto. Autoaffection: Unconscious Thought in the Age of
Teletechnology. Minneapolis: University of Minnesota Press, 2000.

Colomina, Beatriz, ed. Sexuality & Space. Princeton: Princeton University Press, 1992.

Cooke, Lynne and Peter Wollen, eds. Visual Display: Culture Beyond Appearances,
Seattle: Bay Press, 1995.

Couldry, Nick and Anna McCarthy. MediaSpace: Place, Scale, and Culture in a Media
Age. London: Routledge, 2004.

Cowan, Ruth Schwartz. More Work for Mother: The Ironies of Household Technology
from the Open Hearth to the Microwave. New York: Basic Books, 1983.

Crang, Mike, Phil Crang, and Jon May, eds. Virtual Geographies: Bodies, Space and
Relations. New York: Routledge, 1999.

Danet, Brenda. Cyberpl@y: Communicating Online. Oxford: Berg Publishers, 2001.

Davis-Floyd, Robbie and Joseph Dumit, eds. Cyborg Babies: From Techno-Sex to
Techno-Tots. New York : Routledge, 1998.

Darley, Andrew. Visual Digital Culture: Surface Play and Spectacle in New Media
Genres. New York:  Routledge, 2000.

Debord, Guy. Society of the Spectacle. Detroit: Black & Red, 1983.

Dery, Mark. Escape Velocity: Cyberculture at the end of the Century. New York: Grove
Press, 1996

---. Flame Wars: The Discourse of Cyberculture. Durham: Duke University Press, 1994.

Dibbell, Julian. My Tiny Life: Crime and Passion in a Virtual World. New York: Holt, 1998.

Drucker, Susan J. and Gary Gumpert, eds. Real Law@Virtual Space: Communication
Regulation in Cyberspace. Cresskill, NJ: Hampton Press, 1999.

Druckrey, Timothy, ed. Electronic Culture: Technology and Visual Representation. New
York: Aperture, 1997.

Eco, Umberto. Travels in Hyper Reality. San Diego: Harcourt Brace Jovanovich, 1986.

Elmer, Greg. Profiling Machines: Mapping the Personal Information Economy.
Cambridge, MA: MIT Press, 2004.

Elmer, Greg, ed. Critical Perspectives on the Internet. Lanham, MD: Rowman &
Littlefield, 2002.

Ess, Charles and Fay Sudweeks, eds. Culture, Technology, Communication: Towards
an Intercultural Global Village. Albany: SUNY Press, 2001.

Everett, Anna and John T Caldwell, New Media: Theories and Practices of Digitextuality.
London: Routledge, 2003.

Foster, Hal, ed. The Anti-Aesthetic: Essays on Postmodern Culture. Port Townsend,
WA: Bay Press, 1983.

Friedberg, Anne. Window Shopping: Cinema and the Postmodern. Berkeley: University
of California Press, 1993.

Friedman, James, ed. Reality Squared: Televisual Discourse on the Real. New
Brunswick, NJ: Rutgers University Press, 2002.

Gandy, Oscar H. The Panoptic Sort: A Political Economy of Personal Information.
Boulder: Westview, 1993.

Gibson, William. Neuromancer. New York: Ace Books, 1984.

Grau, Oliver. Virtual Art: From Illusion to Immersion. Cambridge, MA: MIT Press,
2003.         

Gresh, Lois  and Robert Weinberg. The Computers of Star Trek. New York: Basic
Books, 1999.

Green, Eileen and Alison Adam. Virtual Gender: Technology, Consumption and
Identity. New York: Routledge, 2001.

Hafner, Katie. Cyberpunk: Outlaws and Hackers on the Computer Frontier. New York:
Simon & Schuster, 1991.

---. Where Wizards Stay Up Late: The Origins of the Internet. New York: Simon &
Schuster, 1996.

Hall. Doug and Sally Jo Fifer, eds. Illuminating Video: An Essential Guide to Video Art.
New York: Aperture, 1990.

Hanhardt, John. Video Culture: A Critical Investigation. Layton, Utah: Pergerine Smith
Books, 1986.

Hansen, Mark B. N. New Philosophy for New Media. Cambridge, MA: MIT Press, 2004.

Haraway, Donna. Modest-Witness@Second-Millennium.FemaleMan-Meets-
OncoMouse: Feminism and Technoscience. New York: Routledge, 1997.

---. Simians, Cyborgs, and Women: The Reinvention of Nature. New York: Routledge,
1991.

Harcourt, Wendy, ed. Women@Internet: Creating New Cultures in Cyberspace.
London: Zed Books, 1999.

Harries, Dan, ed. The New Media Book. New York: Routledge, 2002.

Hayles, N. Katherine. How We Became Posthuman: Virtual Bodies in Cybernetics,
Literature, and Informatics. Chicago: University of Chicago Press, 1999.

---. Writing Machines. Cambridge, MA: MIT Press, 2002.

Henwood, Flis, Helen Kennedy, and Nod Miller, eds. Cyborg Lives: Women's
Technobiographies. York: Raw Nerve Books, 2001.

Herman, Andrew and Thomas Swiss, eds. The World Wide Web and Contemporary
Cultural Theory. New York: Routledge, 2000.

Hillis, Ken. Digital Sensations: Space, Identity, and Embodiment in Virtual Reality.
Minneapolis: University of Minnesota Press, 1999.

Hine, Christine. Virtual Ethnography. London: Sage, 2000.

Holtzman, Steven. Digital Mosaics: The Aesthetics of Cyberspace. New York: Simon &
Schuster, 1998.

Howard, Philip N and Steve Jones, eds. Society Online: The Internet in Context.
Thousand Oaks, CA: Sage, 2004.

Ihde, Don. Bodies in Technology. Minneapolis: University of Minnesota Press, 2001.

Jenkins, Henry. Textual Poachers: Television Fans & Participatory Culture. New York:
Routledge, 1992.

Jenkins, Henry, Tara McPherson, and Jane Shattuc, eds. Hop on Pop: The Politics and
Pleasures of Popular Culture. Durham, NC: Duke University Press, 2002.

Johnson, Steve. Interface Culture: How New Technology Transforms the Way We
Create and Communicate. San Francisco: HarperEdge, 1997.

Jones, Caroline A. Machine in the Studio: Constructing the Postwar American Artist.
Chicago: University of Chicago Press, 1996.

Jones, Steven G, ed. CyberSociety: Computer-Mediated Communication and
Community, Thousand Oaks, CA: Sage Publications, 1995.

--- , ed. CyberSociety 2.0: Revisiting Computer-mediated Communication and
Community. Thousand Oaks, Calif. : Sage Publications, 1998.

Katz, James E. and Mark Aakhus, eds. Perpetual Contact: Mobile Communication,
Private Talk, Public Performance. Cambridge: Cambridge University Press, 2002.

Kember, Sarah. Virtual Anxiety: Photography, New Technologies and Subjectivity.
Manchester: Manchester University Press, 1998.

Kinder, Marsha, ed. Kids' Media Culture. Durham: Duke University Press, 1999.

Kirkup, Gill, ed. The Gendered Cyborg: A Reader. London: Routledge, 2000.

Kline, Stephen and Nick Dyer-Witheford. Digital Play: The Interaction of Technology ,
Culture, and Marketing. Montreal and Ithaca: McGill-Queen's University Press, 2003.

Kolko, Beth, Lisa Nakamura, and Gilbert Rodman, eds. Race in Cyberspace. New York:
Routledge, 2000.

Kroker, Arthur and Marilouise Kroker, eds. Digital Delirium. New York: St. Martin’s
Press, 1997.

Kuhn, Annette, ed. Alien Zone: Cultural Theory and Contemporary Science Fiction.
London: Verso, 1990.

Landow, George P. Hypertext 2.0. Baltimore: Johns Hopkins University Press, 1997.

Laurel, Brenda. Computers as Theatre. Reading, Mass. : Addison-Wesley Pub. Co.,
1993.

Levin, Thomas Y. , Ursula Frohne, and Peter Weibel, eds. CTRL [SPACE]: Rhetorics of
Surveillance from Bentham to Big Brother. Cambridge, MA: MIT Press, 2002.

Lister, Martin, ed. The Photographic Image in Digital Culture, ed. Martin Lister. New
York: Routledge, 1995.

Lunenfeld, Peter, ed. The Digital Dialectic: New Essays on New Media. Cambridge, MA:
MIT Press, 1999.

Lyon, David. The Electronic Eye: The Rise of Surveillance Society. Minneapolis:
University of Minnesota Press, 1994.

---. Surveillance as Social Sorting: Privacy, Risk, and Digital Discrimination. London and
New York: Routledge, 2003.

Malloy, Judy. Women, Art, and Technology. Cambridge, MA: MIT Press, 2003.

Manovich, Lev. The Language of New Media. Cambridge, MA: MIT Press, 2000.

Markham, Annette N. Life Online: Researching Real Experience in Virtual Space.
Walnut Creek, CA: AltaMira Press, 1998.

McLuhan, Marshall. The Gutenberg Galaxy; The Making of Typographic Man. Toronto:
University of Toronto Press, 1962.

---. Understanding Media: The Extensions of Man. New York: McGraw Hill, 1964.

Mellencamp, Patricia, ed. Logics of Television: Essays in Cultural Criticism, ed.
Bloomington: Indiana University Press, 1990.

Mitchell, William J. City of Bits: Space, Place, and the Infobahn. Cambridge, Mass. : MIT
Press, 1995.

---. The Reconfigured Eye: Visual Truth in the Post-photographic Era. Cambridge,
Mass. : MIT Press, 1992.

Morse, Margaret. Virtualities: Television, Media Art, and Cyberculture. Bloomington:
Indiana University Press, 1998.

Moser, Mary Anne and  Douglas MacLeod. Immersed in Technology: Art and Virtual
Environments. Cambridge, Mass. : MIT Press, 1996.

Munt, Sally R. ed. Technospaces: Inside the New Media. New York: Continuum, 2001.

Murray, Janet. Hamlet on the Holodeck: The Future of Narrative in Cyberspace. New
York: The Free Press, 1997.

Nakamura, Lisa. Cybertypes: Race, Ethnicity, and Identity on the Internet. New York:  
Routledge, 2002.

Nelson, Alondra, ed. Technicolor: Race, Technology, and Everyday Life. New York:
New York University Press, 2001.

Nissenbaum, Helen and Monroe E. Price. Academy & the Internet. New York: Peter
Lang, 2004.

Nye, David E. Narratives and Spaces: Technology and the Construction of American
Culture. New York: Columbia University Press, 1997.

Penley, Constance, ed. Close Encounters: Film, Feminism, and Science Fiction.
Minneapolis: University of Minnesota Press, 1991.

Penley, Constance and Andrew Ross, eds. Technoculture. Minneapolis: University of
Minnesota Press, 1991.

Penny, Simon. Critical Issues in Electronic Media. Albany: State University of New York
Press, 1995.

Plant, Sadie, Zeros + Ones: Digital Women + The New Technoculture. New York :
Doubleday, 1997.

Poster, Mark. What’s the Matter with the Internet? Minneapolis: University of Minnesota
Press, 2001.

Rieser, Martin and Andrea Zapp. New Screen Media: Cinema/Art/Narrative. London:
BFI, 2002.

Robins, Kevin. Into the Image: Culture and Politics in the Field of Vision. New York and
London: Routledge, 1996.

Robins, Kevin and Frank Webster. Times of the Technoculture: From the Information
Society to the Virtual Life. New York: Routledge, 1999.         

Ryan, Marie-Laure, ed. Cyberspace Textuality: Computer Technology & Literary
Theory. Bloomington: Indiana University Press, 1999.

Scott, Melissa. Dreamships. Alexandria, VA: TOR Books, 1993.

Shade, Leslie Regan. Gender & Community in the Social Construction of the Internet.
New York: Peter Lang Publishing, 2002.

Seiter, Ellen. Television and New Media Audiences. Oxford: Clarendon Press, 1999.

Seltzer, Mark. Bodies and Machines. New York: Routledge, 1992.

Smith, Greg M. On A Silver Platter: CD-ROMs and the Promises of New Technology.
New York: New York University Press, 1999.

Sobchack, Vivian. Screening Space: The American Science Fiction Film. New York:
Ungar, 1987.

Spigel, Lynn and Michael Curtin. The Revolution Wasn’t Televised: Sixties Television
and Social Conflict. New York: Routledge, 1997.

Stephenson, Neal. Snow Crash. New York: Bantam Books, 1993.

Sterling, Bruce. Holy Fire: A Novel. New York: Bantam Books, 1996.

Sunden, Jenny. Material Virtualities: Approaching Online Textual Embodiment. New
York : Peter Lang, 2003.

Swiss, Thomas, ed. Unspun: Key Concepts for Understanding the World Wide Web.
New York: NYU Press, 2000.

Tepper, Sheri. S. Beauty. New York: Bantam, 1991.

---. The Gate to Women’s Country. New York: Bantam, 1989.

Thurtle, Phillip and Robert Mitchell. Semiotic Flesh: Information and the Human Body.
Seattle: University of Washington Press, 2002.

Treichler, Paula, Lisa Cartwright, and Constance Penley, eds. The Visible Woman:
Imaging Technologies, Gender, and Science. New York and London: New York
University Press, 1998.

Tsagarousianou, Roza, Damian Tambini, and Cathy Bryan, eds. Cyberdemocracy:
Technology, Cities and Civic Networks. London and New York: Routledge, 1998.

Turkle, Sherry. Life on the Screen: Identity in the Age of the Internet. New York: Simon
& Schuster, 1995.

Virilio, Paul. Open Sky. London: Verso, 1997.

---. War and Cinema: The Logistics of Perception. London and New York: Verso, 1989.

Walker, John and Sarah Chaplin. Visual Culture: An Introduction. Manchester:
Manchester University Press, 1997.

Wardrip-Fruin, Noah and Nick Montfort, eds. The New Media Reader. Cambridge, MA:
MIT Press, 2003.

Warnick, Barbara. Critical Literacy in a Digital Era: Technology, Rhetoric, and the
Public Interest. Mahwah, NJ: Lawrence Erlbaum Associates, 2002.

Weibel, Peter and Timothy Druckrey , ed. Net_Condition: Art and Global Media.
Cambridge, MA: MIT Press, 2001.

Williams, Raymond. Television: Technology and Cultural Form.  New York: Schocken
Books, 1975.

Wilson, Stephen. Information Arts: Intersections of Art, Science, and Technology.
Cambridge, MA: MIT Press, 2003.


Michele White